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Ermita de San Antonio el Pobre, Monte de Murcia

Current state of the Ermita de San Antonio, the Poor.

Saturnino Espin Photography

leave the old issues and resurrection of the sonnet, as glossed in the previous game, and happened to comment, for possible better understanding, the lines of the sonnet.

When I wrote it, late 70's, the enclave was an archetype of abandoned and reviled monument. Not the case today, the antithesis of that yesterday I say. Hallelujah!

The title referred to the sonnet, as it was when I left, I had some imperfections of rhyme and rhythm (rather than now), and it's topped devised to assimilate sonnet enclave sonetizado. " Today, improved these technical details, but let the title. I do not know why.

The first verse refers to the relative proximity to the city of Murcia. Enough to be uncrowded. And ensure that latent incivility, and everlasting, the English had intended for his irreverence. The second verse is "stolen" to Luis Cernuda, one of his most memorable poems, taken in turn Becquer (I think). The venue was appropriate to embody the metaphor: permanent house oblivion. The third is brief reference to the monument, very small. And simple design (poor theory .) Even loneliness, there was little.

In the second quartet, continue the metaphorical description. Most art was more natural environment (pine and rock), that architecture. Twilight mentioned is the monument, to succumb entirely, rather than the sun all day. The temple itself silences the sobs of the branches that fall down, as a cry for battered monument. Sadness gave the ruins, with a gaping hole in the roof caused by a large rock impelled from above.

swallows also pre-summer witnessed the disaster. And their flights were like threads of a tapestry which contained the pain and distress suffered various: the municipal authority, that of the Church and even the respect of citizens.

ended with an invocation to the shrine, asking how it was that no one "looking" for it, ie caring for his protection. And summarized in a list the elements of his nature: the garden, immediately, the mountain environment, and the slight baroque artistic style. Finally, I draw the only visitors at that time: the clouds and birds.

With God.

SONNET TOPPING TO SAN ANTONIO THE POOR

Four walls touching distance,

Inhale and rock.

Your stone sparingly, your theory

poor, lonely little resolved.

pine and rock art of looking

the cast poorly. Your corners,

accordance twilight, silencing

branches, and the sadness of your ruins.

's shadow swallows tour

and back, which frayed thread

double tapestry of grief and helplessness.

Oh, San Antonio's poor, who look at you:

garden, mountain, and poor Baroque style.

clouds know you, and birds.

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HITTING THE CROP

HAVE CREATED A NEW SECTION OF IT'S Cut, WHICH ARE IN THE CARDS FOR CROP OF OUR PETS. THE
"teacher" thought that the best reinforcement for this task is the help of Mommy and PAPI. The children already have worked CLASS BUT SOME EXPERTS NEED TO BE Pratica. ¡OJO! WE HAVE TO DO THEM, UNDER YOUR SUPERVISION. WE WILL NOT BE KIND TO PRACTICE AT HOME. We will be adding CARDS FOR CROP throughout the course.

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Postcards from 24

Here we are with the boys Mateando, playing and morphs Ugi's good before reaching the square.
were playing with games organized by La Poderosa is an organization with a great magazine intervillera Throat Powerful as it is done and is distributed in all villages of CABA.
As the guy who was in the game to shoot down the dolls was 31 and knew Johnny Chamuyando we started and gave us a few cards of the keyring and "Complices" hahaha!

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Hermitage La Luz (Murcia) Sonnet

Hermitage of La Luz, Monte de Murcia ... Time has.

For Antonio, Pepe, Rafael, Salvador, Enrique;

and all other comrades of the Institute 59/60.

One day last week, I took my old comrades recovered Bachelor of 60 to the mountains close by South Valley Murcia. In line with the vision of a landscape forever remembered a sonnet which I wrote about the brief time the monastery that gives title to this text.

As I am, you know, in the process of reckoning with my old papers, I increased the search effort , and finally found it. He was in a folder titled "Workshop." And indeed, there was a defect in its archived form. Today, I give him a hammer here and there, and I leave it, as Dante said for his Divine Comedy, "pure and dispositions per uscire alle stelle . Although I know well that these verses do not go beyond the municipal streetlight. It does not matter. Ah, stood side by side entitled "A San Antonio the Poor", a hermitage near these dollars. Will the next release.

And nothing else. Whoever wants to know detail of the monastery, can be found here:

http://www.laverdad.es/murcia/v/20110130/murcia/mientras-quede-fraile-vivo-20110130.html

The sonnet is this:

Undamaged hole in my memory,

October the shadow slowly.

Minutes dilated in the day,

fact light and air together.

Light, this harsh geology dead.

Light flock of green pines.

Light your garden baroque facade.

Light, your essence, your name, your ways.

Dando on Earth, faith of the divine,

modest rises, austerely

your poor masonry wall.

Pastor of loneliness, your destination

is passed over in silence, humility,

expecting God the company.

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Salvador Marcos Romera

In 1990, 21 years ago, my God, I made this sonnet Salvador Marcos Romera, my friend and painter. Today, the folio manuscript of the sonnet, to appear, brought by fate to me. And I decide to do meat blog. There is nothing more to say. Coméntese alone, he can. With a hug to the godfather of the "Child Versora." Still you keep it, Master?

Auctor SONNET TO THE PROMISED TO A FRIEND ITS, PAINTER OF THANKS AND BACKGROUND

Tell me, Mark Salvador Romero,

tell me that you keep your secret:

would that locomotive with a top hat,

aquesta and acrobat so cute:

are perhaps a product of your day off

or is are, by chance venturera,

your country pajolera grace,

to face the world, an amulet?

From the hair on your mustache, a gnome

monitors when you paint your palette ...

and is for your brushes butler.

good it still leaving goal

as paint, that looks like a chrome

that, the serious, in his mind would go after.

Santiago Delgado

5-X-1990

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Murcia rained

Basabé Street, Saturnino Espin Photography

Murcia, Museum City, March to May 2011

To view the full article:

http://www.laverdad.es/murcia/multimedia/fotos/region-murcia/74109-saturnino-espin-cubre-nubes -church-murcia-0.html

As a god of autumn, Saturnino Espin rainfall has littered the streets of Murcia . And their monuments. A city drought and blue sky, everlasting water turned into meat and vivid color. Some intense vivid, full of iridescence, only achievable by the wet deep and substantial. And a broken sky clouds of darkness and greyness report, which fertilizes the earth and then inseminated beauty will be born. The photographer has given the city its most coveted desire. No more than the urban soul in your pictures. People have hidden from the camera can worship freely officiate clouds moisture storm slid by the fiery colors, but watery, the final result.

There is anger in the clouds, the threat of thunder and fuss of llamp, which is relevant Murcia. And there is pride in the walls, floors asphalt, paving and granite slab in the brick walls and autumn leaves lying on the beds. A pride of knowing different, these prospects, as we have internalized all of us forever: well, with a polvedad centuries, a millennia Sequera. Now, are allied to water and twin vision beautiful, unusual, but perhaps more authentic, because we are more, much more, what we want, and do not have, that what they see day after day, night after night, with full possession. We are what we dream.

Murcia is that, too. And perhaps more than what the days and hours show ever. Saturnino Espin sleep awakens us throughout the winter solstice, and opens an autumn morning rain, magnificent and unique. One morning, perhaps in that magical moment of dawning of a Sunday in winter, it's autumn, of course.

And the contemplation of the pictures the soul and moistens the adjectives unborn slide, a custom-made dry, almost sterile, Levitical city. And in the back, but holding it all, the perfect geometry of the vanishing lines, profiles and curves of the Baroque facades, cobbled streets that together give us the daily landscape of the city we inhabit. Now, they reveal an identity provisional much purer than any other.

And so the city, dressed in water, clouds godmother beasts, go to the altar where the groom lover, our look, with gallant demeanor touched, grateful looks.

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Piano

Piano adrift

inhabited by the reeds,

and dump water;

evicted some room

and the quiet reflections

on sewage

tusnami he left angry.

Lie the tender notes,

the sublime scores

in your inner silence,

them were art

and hearing gave

of sensitive

appreciated your sound.

Where the tuner

where the pianist,

where the listening public

applauding with appreciation?

A Flemish Deposition

look, piano tsunami.

Trailer last

to punish glorified.

A photograph oil

you discover dead

beautiful as they drowned

whose body waves returned

the hangover after the storm

that caused the wreck.

May the Risen infinite desire

always showed the Japanese people,

know one day recomponerte

and return your whole being on piano.

Although I am not aware,

but no later artist

photograph you again, as now,

exquisitely, with the objective of oil,

full of art, tall, beautiful and refined.

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Mocca Edgardo gives me the reason was political misreading. A fellow truckers

Mocca uses Gramsci and Gramscian concept of hegemony to read the play Moyano, reading very wise to understand the economic problems that brings the "show of force Moyano" beyond their personal interests. Impossible
current reality will lead to a successful conclusion if we close ourselves in dogma, political or personal interests.
Warning to bloggers Birth & pop establishment (you know which are): Gramsci LESS ARTEMIO LOPEZ MAS

".... hegemony Gramsci conceived as the ability to achieve and sustain the unity of social bloc. And that ability is not about the pure domain of potential or actual exercise of violence but a force of cultural and moral "faith" said the thinker Sardinian. It is very strained the connection between this formulation and the President's insistence on the existence of a struggle between "stories" opposed to the reality of Argentina. The presidential address opening the regular session of Congress is an eloquent example of that strategy: facts and figures that there were exposed not the cadence of a "balance sheet management" is presented as an illustration of the results of a political project . Updating of the entire force partisan political programs to which they hurriedly extended a shutdown from the perspective of "postpolitical" which the government puts in place the administration of the given, without any creativity.


Is he not the President's appeal not to allow the forces of disunity friendly gesture toward the current political "hegemony" in the Gramscian sense? The unit, Cristina Kirchner said and repeated, not an end in itself; is a prerequisite for survival and deepening of the ongoing project . To paraphrase in terms of Gramsci, is the unity of the social block what is at stake. And the idea of \u200b\u200bsocial bloc pose differs from the economic angle "class" that is not joined by so-called "objective interests" that pre-existing political practice, it is this same practice which constructs and explicit. Always in the Gramscian vocabulary, this block has an internal social interests "corporately" contradictory. Ie if you were to look exclusively the interests of particular social sector, the social unity of the bloc would not be a desirable goal.

episodes materialized dramatically in recent days these abstractions. Hugo Moyano has been a dramatic gesture of power, faced society with the ghost of a chaotic day, without trucks, buses, subways, trains or boats. The mercy argument was to defend the workers' movement in political and media attacks it receives daily. As they say in chess, "the threat is stronger than the execution." The announcement allowed the CGT leader placed at the center of the scene, forcing the government to talk and get the decibels about a warrant for the Swiss Justice will not go down in history for the accuracy of their foundations and even less for quality drafting. As icing on the cake and leave no doubt that the nature of the operation, said Moyano workers do not want to be constrained by sectoral demands: they want power.

not be overemphasized that the poor public image of unions, and the strange credibility of any accusation that politics and ethics involved there is nothing natural or innocent. The history of the labor movement in its early Peronist has glories and miseries. Passed by the resistance against the false democracy of the proscriptions and the struggle against dictatorship. And the shame of complicity of some in state terrorism and participation in the profits of the sale of public property implemented by the Menem. The impression, however, are not capitulation union multimedia object of scorn. Otherwise it would explain the "prudence" which dealt with the arrest of Momo qualifying Venegas and fury, for example, the publisher of The Nation yesterday, Saturday, dedicated to the leading figure of the trucker.

not appear, then, that the issue is ethical, but is essentially political. It is political because it points to a key component of the coalition that led Argentina from 2003: the alliance between the government and the labor movement. Who put up the fuss by the assumption that non-Republican alliance, not just as shocked when, with Menem and De la Rua, partners State's principal were the great groups of concentrated economic power. The alliance between State and CGT is not a simple election strategy. On the other hand is grounded in a process of change in the world of work not recorded in the country for many decades. is the alliance that allowed reinstate employs five million people, to recover the collective bargaining agreement and the minimum wage and mobile, introducing the peer teaching significantly increase salaries and pensions and create a universal allowance for children, among many further developments of age. All this at a time when many thought they had lost the social and political was a matter of isolated individuals united only on the condition of hearing the media.

The fact is that in these times we have experienced the most significant threat to the unity of the coalition that now governs the country. And the episode touches the nerve more critical for the possibility of continuity of its political project, for your own internal contradictions.
If someone in the government believes it can rule on the direction taken without the accompaniment of a substantial portion of the labor movement, ended up contributing to the defeat. And if one union leader believes that workers will reach power on the basis of breaking the current political and social coalition of government, will become the key to the success of media-political operations that claims to oppose. That is what hegemony, to hold in unity to diversity and contradiction.

Full story here: http://www.pagina12.com.ar/diario/elpais/1-164580-2011-03-20.html

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Let's see as we put together the pieces of a puzzle that is enrolled in an even larger, the October elections. Recently we have an assembly where they decided to mobilize until just recently we learned suspending the measure.
Politics is beautiful by the power to transform the lives of men, but like beauty (which is beautiful to some and vulgar to others) is never perfect and less than ideal.
Something to clarify, we should not underestimate the economism that still infects the worker, is still fighting the good salary pending merger with the mobilization and unity. Many workers still can get to support their leaders are swimming in wealth while wages.
And if we do not care to understand the process of trade unionism since 1955 (or closer if you prefer) from 1970 to date, the pieces are a bit difficult to fit and be exposed to digest any idea previously unable to chew.

Facts

Covelia SA is a waste collection company founded in 1999 and operates in 12 districts of the GBA. The company owner Richard Depresbiteris and his wife, Marcela Mete, have a Swiss bank account and deposited a reasonable amount of money (over $ 1,800,000).
In this situation, the Swiss Justice will block the account while investigating a possible money laundering. Walter

Martello is a member of the Civic Coalition produced a report which involves the family with Covelia Moyano SA radio But Continental, Buenos Aires deputy acknowledged that "there is no legal evidence to implicate" Moyano.
Some of this information "came" to Swiss prosecutors immediately issued a warrant seeking information on family court cases Moyano.
"Martello lawmaker said Covelia purchased on the official market in 2008 and 2009, $ 6,400,000 and shown, that figure in the records of the Central Bank.'ll Have to see if the deposit in Switzerland corresponds to those shopping currency or not, "
important thing to clarify, the document is not opening an investigation, but the request for a report.
leave some questions that can serve as triggers for debate.

1 What is leading to a report called strike threat ends in general for much of the CGT?

2 Against whom will be switched off? against Cristina? "against monopolies? against economic power?

3Al be a year where his playing future model was it not expected this kind of attacks on fat?
what momo slave labor? Does it happen a few years ago or are the historical conditions of sharecropper driven from the land?

4 Who benefits if Moyano falls today? Who is behind it?

Let's see how the situation is completed.

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JP Feinmann explains about politics, intellectuals and kirchnerismo

This is one of those entries you can not miss.
One spends his life explaining what is politics and serving but never find the right words to express it. I think JP Feinmann found them. Listen carefully
from min 10 (from the 1 st part), and if they can ignore the report and to the selfishness BOILING Joseph Paul, in 2 º video takes up a small Cutting is when Hannibal F. Kirchner is with a map marking the suburban mayors who can play for or against.


1 º Video From the minute 10 or so ....


2 º Video
Continued ....

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Tribute to popular and revolutionary thought (without fear of the word revolution) Controversial

March 14, 1883, after losing four children and recently Jenny, his wife, Karl Marx goes on to immortality. Here
a letter for the poor materialist account of their material poverty.

Marx Letter Engels, September 8, 1852:


"You may have noticed in my letters that show a total indifference, as usual when I hear about not only rot the others, but I'm in it. Anyway what I can do? My house became a hospital, and the crisis is so serious that requires my full attention ... The climate is unsettling: my wife is sick, Jennychen too, and Lenchen presents a sort of nervous fever. But I could not call the doctor and I can not because I have no money for medicines. For eight or ten days I tried to feed my family with bread and potatoes, but today it is doubtful that get something ... I have not written any articles for Dana because I have not a penny to the newspaper ... I must also pay the bills of the baker, the milkman, the grocer and the butcher. How will I deal with this fucking filth? Finally, in the last days I was able to lend me some money, absolutely essential if we did not want to become ghosts ... "

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Viñas (tribute)

was the guy who was dared to get out of the pulpit to Borges to put on it to Walsh, said ...
"I believe that Walsh-and if this open debate, congratulations-transcending Borges. If you hurry me up I would say, is better than Borges.. "
resurgent Right now the controversy of the intellectual, ideology and other plants, so often discussed this issue here in this blog, if (mostly with the Nilda exegete) will miss his contribution to the debate as well as their texts controversial.
leave this text (again controversial) David Viñas well as reviving the paper today ...

Borges y Peron

By David Viñas


Their differences are known. That is why I would like to highlight their similarities, in his writings I think it could be, in principle, the same exclusion of history, which is manifested through the denial of class struggle in Perón and analgesic literature Borges. In one and the other is attending an escape from suffering and the drama inherent in everyday life: evacuation resulting in the Borges text, of its opposition to the "Center" tragic and dazzling, and Peron's documents, its need to erase anything that involves a ques-tioning. For if the writings of Borges does not give his readers but the immobilized, Perón's speech does not incorporate their best employees but are fixed. And if the essential movement of Borges is oriented towards the request, the Peron specializes in orders. Each other, I think, establishing a vertical space from top to bottom and back, which gradually excludes any horizontal dimension, unable to make a community is respected even after having seen their own misery, both prefer-each one based on values \u200b\u200band a different goal-that this community continues to ignore them.

In another aspect, the use of words, it seems useful to establish their mutual kinship with Leopoldo Lugones of the twenties, when Peron says "boys", is impregnated In Praise of the sword given by Lugones in 1924 on the occasion of the centenary of the Battle of Ayacucho, each time that Borges used the pejorative term "old boys", is returning to the semitones of Lugones of the country strong.

similarities could even set a timeline under "generational" predictable, familiar comparable climates and a shared history from the Tragic Week of Buenos Aires in 1919 to the years of the Infamous Decade (1933-1943). Real matrix formed at the two men in the period preceding their respective hatch, especially when taking into account the decisive influence of the presidency of General Justo (1932-1938), "uncle" of Peron and patron of Borges.

But in reality is the relationship of symbols between Borges and Peron what interests me in particular. Powerful symbols: concentration of elite-liberal line in Borges, the current incarnation of the national-populist Peron. Especially in relation to the two sectors of Argentina: the middle class and middle class liberal populist whose connotations are preferred Dr. Houssay, the man who spoke at the Sorbonne and polo sacred by the liberal-elitist, and trivialized tango , Old Gardel Vizcacha and operetta for the national-populist band. Two sectors which, if they face in their accession one to Borges, another Peron, often intersecting and agree: especially when it comes to exalt the symbol of a patriarchal virtues old Argentina reassuring and stereotyped.

happens that the vertical structure that I referred to both the Peron-like Borges-haul, both in the liberal-elite as populist nationalists, uncritical adherence, unconditional in most cases, church I would say. And with her all the implications of the star system and the star cult, philistinism, identification and projection stun, self satisfaction, unconditional. Heritage at best, do not bet. Could

said, to try to understand a little better than Borges and Peron "are two bourgeois." Two big bourgeoisie. And if you will, the two most famous bourgeois that has caused Argentina. They culminate with the literature and politics conceived in the initial programmatic core of 1845, as Perón and Borges, despite (and because) of its contradictions and its shades, are the perfect realization of this consciousness possible.

What I mean is that the variants that may bourgeois thought are endless. Endless possibilities of combination, but finite from ingredients which have been made and the proposition theory program, and, what concerns me today, exhausted. Because if their combinations can be made in an imaginary space (either Madrid or a story), its finiteness and depletion hatch in a historical space: today's Argentina.

That's why these great symbols that are Borges and Peron are no longer today (justifying, giving back and, so to speak, mythical) but a circular motion, which certainly will not escape by using the resources of the collage.


In 1981, the legendary French magazine Les Temps Modernes, founded by Jean-Paul Sartre, he devoted his number 420 to Argentina under the title "Argentina between populism and militarism." At that time, David Viñas signed article under the pseudonym Antonio J. Cairo.
Article just published for the first time in Castilian in the double issue of The Library, the journal of the National Library .

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With a design folio that our center has created the Fallas Teja teachers to bring the child Tuesday morning: Because there

pose before Saint Joseph
Silvia on our "teacher" feel, this
Teja Fallas he has done.
with cardboard, paper platetjat,
design center and a little imagination, and has been
. For
afternoon with all the children desfilarà
an amazing costume.
Thus the "cream" of our failure to celebrate.

In our section of the crafts is Teja Fallas.

Happy B-day (bubble Letter)

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Cristina

I still have it, the entire speech on video. We arrived at 8
once the act, our membership was proof of schools, delayed trains, buses, grandmothers, babysitters and intense heat, but we arrived.
With Javier PC and keep in touch and informing the speech while we were on tour.
Here are the words of the companion Cristina ....
"When incorporated into other Argentines do not ask where they come from, what is your history or your party, ask if they agree with the universal child allocation is for millions of children have rights to education and health. ...."

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ALL UNDERSTAND THAT COMPLETION OF A FORM